Cast

Gist: Aarya and Barath are orphans who have been best of friends since childhood. They grow up to be contract killers. Haniffa is a government employee who moon lights as a middleman delivering assignments to Aarya and Barath. Most of the hit men come across two types of women – women who are not repulsed by their profession and women who get scared of them. Padmapriya plays the first type and Pooja plays the latter type. Barath and Aarya decide to quit their profession after they kill a big shot in Coimbatore. But fate is a funny thing ain’t it? It has a strange way of making amends.

My 2 cents: Whenever a subject gets popular in Kodambakkam, directors and story writers are so keen on riding the wave that the same story line is repeated in two movies that are released around the same time. Now the craze is about the underworld. Naalai and Pattiyal have the same story. We will never know who stole the idea from whom, but atleast Pattiyal was coherent and well made.

The movie gives as realistic account of the lives of hit men. Contrary to popular perceptions, most of the time they are not people with special training, they are just ordinary people who choose killing as profession. They don’t have any remorse about their profession. They are neither rich nor have political backing. In fact most of them don’t even own sophisticated weapons that aide in their profession. They come dime a dozen and are easily dispensable. The director subtly and explicitly points out all the above through out the movie. When he shows Aarya and Barath learning to shoot by watching Hollywood movies, it is a subtle emphasis on their lack of shooting skills.

In Boys Barath was just a guy who danced well. In Pattiyal he is guy who can act as well. He plays a deaf and dumb guy and scores and ace in his acting. The scene where Pooja throws him out of the house after she witnesses Barath wielding a revolver, he pours out his emotions with hand gestures.

Padmapriya shows versatility. She is a little too hyper at times, but over all delivers a good performance.

Pooja plays a middle class family girl who falls for Barath without any knowledge about his profession. She tends to hand gesture a lot even to people who can hear well, was kind of funny. No serious complaints about her in the acting department.

Sporting a stubble, unruly hair and an irritated expression seems to be Aarya’s version of a hit man. He could have done some more homework on his role. Some times when he yells it is difficult to understand what he is saying.

Other: To hear songs from this tamil movie click here.
For movie trailers click here.
For picture gallery click here.

Verdict: Pattiyal was like a Chase novel.

Cast

Gist: Shyam, Laila, Aarya, Pooja and Aasin are collegemates. After they leave college they meet each other for Aarya’s wedding. In this time a lot has happened. The rest of the movie is a flashback about their college life, their friendship, broken hearts and lennnnngthy climax in which Shyam realizes that it is better to give up his one sided love and to marry the girl who loves him.

My 2 cents: This movie was first named Pepsi. After many issues the movie was finally released, but it falls quite short of expectations. Considering the fact that Laila was the only major star when the movie was made, her role receives a lot of importance. Laila is too peppy for her own good, but evokes sympathy when Shaym treats her like a pain in the wrong part of the body. I like her much better when she is calm and composed. A bubbly Laila is pretty irritating. Aarya cannot act for nuts. Let us see if his internship with Bala for ‘Naan Kadavul’ manages to mold him in to a good actor. It is Aasin’s debut. She plays a practical girl who knows what she wants in life. Shyam and Pooja manage to do their part well. Music by Harris Jeyaraj is effervescent.

Other: To hear songs from this tamil movie click here.
For movie gallery click here.
For movie trailer click here.

Verdict: Ullam Ketkume is so-so.